Yet from his schooldays Ernest showed a taste for painting, to which some early sketches, dated 1823, bear witness. He expected Ernest, the eldest of his two sons, to follow him into the dye business. His father, Charles, had been a successful businessman, the proprietor of a factory in Saint-Denis, north of Paris, that made dyes for the textile industry. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre- Revolutionary and pre-industrial France, specialising in scenes from seventeenth- and eighteenth-century life.Įrnest Meissonier was born in Lyon. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The English art critic John Ruskin examined his work at length under a magnifying glass, 'marvelling at Meissonier's manual dexterity and eye for fascinating minutiae'. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Jean-Louis-Ernest Meissonier ( French: 21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes.

Erstein Costis by Margaux Meissonnier